What is Motion as Metaphor

The course will focus on constructing meaning through crafted motion, considering subject and motion as contexts for one another. Study of motion is part and parcel of theatrical practice and animation, serving various narrative aims in each. We will be exploring its “material” potential in contemporary art and design practice as a formal and conceptual element. We will be working with time-based media, making use of video, with a strong emphasis on kinetic sculpture. Technical skills will be introduced as appropriate, including electronics and mechanics.

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Handheld Animation Project Description

Motion As Metaphor, Spring 2011
Project: Handheld Animation – Overpowering symbolic codes through action Continue reading

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Cyclical Motion Project Description

Motion As Metaphor, Spring 2011

Project: Cyclical Motion – Considering the nature of over and over…

Develop a unique machine in which cyclical motion is inherent to the essence of the machine and its meaning. You might reflect on cycles in nature, daily life, mechanisms in transportation devices, industrial fabrication, etc. Think about what unending repetition suggests, where it came from, what it points to, and/or how it’s understood culturally. Your concept should be well vetted, with evidence of the maturity that comes from trial, failure and permutation.

Our technical goal in this assignment is success at something simple, rather than shooting the moon. There’s time for that later. We’ll be learning to build mechanical linkages, and some trial and error will be important. Expect to build things several times, and pay attention to how they improve as you do.

Remember to check due dates for milestones in the class calendar!

Milestone 1 – Due Jan 25
Homework:
Begin with visual research: Brainstorm and collect a variety of images and or sketches related to the assignment. Use image searches to seek out new ideas.
Sketch out 5 concepts as points of departure.
Bring all of these materials to class to discuss.
Post your research, concepts, sketches, etc to the website as your weekly progress documentation.

In class small group discussion:

Presenting: Spread out your materials on the table, and/or pull up images on your laptop. *Concisely* present your various ideas to the group (2 or 3 minutes max). Your images should do much of the talking for you. Your goal here is to seek feedback that helps you see what you’ve collected from angles you might not have considered, or to make new connections. Spend more time listening than talking!

Each person in the group:
try to ask the person presenting a question they’ve not yet thought of. This is not a requirement; it’s a mechanism for helping the person consider their ideas in new light.

Documentation of Concepts – Due Jan 25
Images, Video, Notes, Links, etc. posted to class website.

Milestone 2 – Due Feb 1

Construct a rough version of the concept you choose. Don’t get lost in craft at this phase – use duct tape, scotch tape, paper, scissors, chipped up wood, whatever you need to make a physical sketch *as quickly as possible*. Be sure to prototype any moving parts you imaging building so that we can discuss your strategies.

Documentation – Due Feb 1
Post documentation and a brief descriptive text of your first version to the website.

Documentation – Due Feb 8
Post documentation and descriptive text of your progress to the website.

Milestone 3 – Due Feb 10
A near final draft – things working, concept present.
We will have our most significant class critique at this point.

Milestone 4 – Due Feb 17
Final piece due in class.

Documentation – Due Feb 22
Project Documentation due to website before class for discussion. Include clear, concise text describing the project and representative, well crafted images/videos. Check spelling and grammar!

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Oxford Kinetics Festival Project Options

The Oxford Kinetics Festival takes place April 9, 2011. For more details, see www.OxfordKineticsFestival.org

Option 1) Create a human powered device which you will pilot in The Scramble.
Option 2) Create a kinetic sound sculpture for The Exhibition.

Constraints: The proposed conceptual framework is Effort & Sustainability. If you have an alternative concept you’d like to work with, let’s discuss it.

Thu Mar 17
Due:
-Visual research and concept sketches in class
-Post your research, concepts, sketches, etc to the website as your weekly progress documentation.

We’ll have group discussions of your ideas.

Sat Mar 19
10am-3pm Public workshop in the sculpture department. This is a great time to come in and work on your prototypes.

Tue Mar 22
Due:
Prototype: This time, just prototype the aspects of your project you don’t have a clear sense of. This might be a “look test” in the form of sketches from multiple angles. It might also involve building a very simple version of a mechanism you’re not familiar with. It could include material tests (e.g. what sounds can I get out of these three objects by striking them with different things?). Work extremely efficiently. Don’t waste a moment on things you know how to do, or with which you have a confident sense of direction.

We’ll discuss solutions to evident problems and start designing the actual piece.

Thu Mar 24
Due:
Progress Documentation posted to website.

Artist Presentation
Studio time

Sat Mar 26
10a-3pm Public workshop in the sculpture department. Another great time to come work on your project!

Tue Mar 29
Artist Presentation
Studio time

Thu Mar 31
Due:
Working version in class. We’ll have one week to make changes and improvements after this.

Discussion and Studio time

Tue Apr 5
Presentation
Studio time

Thu Apr 7
Due:
Finished piece

Sat Apr 9
Oxford Kinetics Festival!

Please also note that this is a great opportunity to show off your other work from the class thus far if you’d like. You’ll want to fix things up so that they’re likely to work for a few hours. You could demo them intermittently if you’re concerned they won’t work continuously.

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Exhibit!

We’ll be exhibiting our work as part of the art dept open house this Friday, from 6-7pm. This should provide us with a nice audience. The work will be installed in the glass enclosed stairwell space which extends from Hiestand into the courtyard towards the fountain. It will need to be installed Friday afternoon before 5pm and removed by 9 o’clock that night. I’ll setup extension cords and power strips, but will need everyone’s help to bring some tables and/or pedestals into the space.

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Sales Figures

Here’s an aspect of the work we’ve studies which we’ve not discussed at all: the market value of some of those artists’ works today. You’ll see some familiar names in that list.

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On Project Documentation

When documenting your finished work, here are some things to keep in mind:

As we’re working with moving objects, video will be necessary. Images might be quite helpful as well. Pay attention to lighting, camera angles, *ambient sound*… The challenge is to communicate the most information, as clearly as possible, in the shortest amount of space + time. The posting for the finished piece should be accompanied by a title and a brief explanation of how you understand the piece. That could be a paragraph, a statement, a related story, or it might simply be a question – it doesn’t need to “explain” the piece or proscribe the meaning, but it should somehow introduce it in a helpful way.

Be mindful of formatting and grammar. If you include links be sure they work. Etc… In other words dot your tees & cross your eyes.

I strongly suggest documenting your work in pairs or teams. It really helps to have someone else to hold the camera, laptop, lights, etc, and you can discuss what’s working and what’s not. Just like your projects, you’ll have to try things to see if they work. Get set up so that you can try 3 different camera angles quickly, or some fancy camera move. It may take 5 attempts to get it right. A quick and dirty storyboard of the clips you plan to shoot will go a long way in helping you to plan.

And lastly, edit! It’s so quick and easy with current software (e.g. iMovie, Windows Movie Maker) there’s no excuse for having shots that begin and end with you reaching for the record button.

I expect you to present your work as professionally as possible. Here’s a good yardstick: Imagine showing it to a stranger and then convincing them they should pay you to do the same thing for them.

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Sculpture Shop Hours

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New Animtool

Animtool 002 is available via google code.

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